Apologies for disappearing for the last few weeks. My life is a bit chaotic right now. But not as chaotic as this Marvel movie I’m about to review!
Stephen Strange is a brilliant neurosurgeon with a pile of money, a library of awards, and an ego the size of Texas. All that starts to change after he gets into a horrific car accident (texting while driving is BAD, kids!) that mangles his hands so badly he can’t even shave, let alone perform surgery. Desperate to try anything that could give him his old life back, he goes to Nepal to visit a mystical organisation called the Kamar-Taj, whose adherents are rumoured to have amazing healing abilities. Strange quickly finds out they do a heck of a lot more than heal injuries. Under the guidance of their leader, The Ancient One, he learns how to use magic to enter other dimensions, conjure powerful weapons, and do various other cool things, all of which he’ll soon need to use. Turns out the Kamar-Taj is at war with a rogue sorcerer who wants to unleash a malicious cosmic entity on the world, and Doctor Strange is getting swept into the conflict whether he likes it or not.
On the surface, this is way weirder than your average superhero movie, even considering some of the lesser-known heroes Marvel has brought to the screen recently. It’s got cities that fold themselves into kaleidoscopes, a dimension made entirely of hands, a sentient floating cape, and Benedict Cumberbatch trying to sound American. But despite the trippy visuals and out-of-the-box concept, it’s still a Marvel movie, which means there are certain rules it must follow. It’s got to have product placement (because even sorcerers need their iPads!), it’s got to have a Stan Lee cameo (no matter how jarring and out-of-place it feels), and it’s got to have characters who constantly make funny little quips at each other, even in serious life-or-death situations. And, sadly, it’s gotta have a bland, generic villain whose motives don’t make much sense.
Then there are the more meta problems with this movie–particularly the fact that, even though about half of it takes place in Asia, there’s only one Asian character with any importance to the plot. And it’s not The Ancient One. Although I imagine it’s very hard to adapt a comic book from racist times in a way that doesn’t offend anyone, the people complaining about whitewashing in this movie do have something of a point.
But darn it, none of that is enough to keep me from loving Doctor Strange. It’s just too much fun. Did I mention there’s a scene where a city folds itself into a kaleidoscope? Well, there are also people fighting in that kaleidoscope and weaponising the shifting landscape against each other. It’s like Inception multiplied by 11. I usually avoid 3D when going to the movies, but I made an exception for this one, and did not regret it.
Apart from the dodgy accent, Benedict Cumberbatch is perfectly cast as a superhero who fights with his mind as much as his fists. All the actors do a good job–yay for Chiwetel Ejiofor and his swordfighting!–but Cumberbatch is the one who really drives the movie. And man, can he pull off that cape and goatee combo.
As for the story itself–okay, so it’s a pretty typical origin story without a lot of big surprises. But it continues and expands upon a pleasing trend I’ve noticed in Marvel origin stories–the importance of humility in a hero’s journey. Tony Stark started out with all the resources he needed to be a hero, but he had to get knocked down a peg, via missile, before becoming Iron Man. Thor went through the same thing–only more dramatically, because he’s Thor. Steve Rogers already was a humble, selfless guy, which is the whole reason he was picked to become Captain America.
In Doctor Strange, the theme of humility is front and center from beginning to end. Strange, being a super smart scientist, starts out believing he knows everything there is to know about how the world works. Then The Ancient One literally punches that arrogance out of him in a mind-bending, dimension-hopping scene that forces him to recognise that reality is a lot bigger than he thought. But it still takes him most of the movie to truly let go of his pride and put others ahead of himself. And that ends up being exactly what he needs to save the day. (By the way, I won’t reveal just how he saves the day in the end, but it is arguably the coolest and cleverest way a Marvel hero has ever defeated a villain.)
In a time when much of our culture is about encouraging self-promotion and self-centredness, it’s nice to see a big blockbuster where a hero has to learn that “it’s not about [him].” Let’s just hope that, unlike Iron Man, Doctor Strange remembers his lesson in the next movie.
If I were of a mind to over-analyse, this movie also lends itself to a few symbolic interpretations. After all, the cosmic being the bad guys are trying to release is basically the Devil, and the scene where the good doctor is first introduced to magic could almost be seen as a jab at atheism. But…again, it’s a Marvel movie. Reading too much into a superhero story can lead to the dark side, as Batman vs. Superman showed us.
Anyhow, Doctor Strange is an excellent film that, in my opinion, beats Civil War for the title of Best 2016 Superhero Movie, even with all its faults. And it’s the rare 3D movie that is actually worth the price of 3D. Just be warned–the effects may cause eye watering and/or headaches. Watch responsibly.