It’s high time for me to talk about my other favourite DC superhero.
Creators: Greg Berlanti, Geoff Johns, Andrew Kreisberg
Starring: Grant Gustin, Candice Patton, Danielle Panabaker, Carlos Valdes, Tom Cavanagh, etc.
The Flash is the second of (currently) four shows that make up the CW’s DC universe, usually dubbed the “Arrowverse.” And it is by far the best. The third season just hit Netflix, but things got started back in Season 1 with 11-year-old Barry Allen witnessing his mother’s death at the hands of a mysterious figure who appears in a bolt of lightning. No one believes his version of the story, so his father is blamed for the murder. Fast forward a decade or so, and Barry’s working as a (ridiculously young) CSI tech in his hometown of Central City. Ever since the incident with his mother, he’s been obsessed with finding proof of the “impossible,” and he gets his wish one night when a particle accelerator at nearby S.T.A.R. Labs explodes, causing him to get struck by SCIENCE!-infused lightning. When he finally wakes up after a nine-month coma, Barry discovers he has super speed. With the help of the team of scientists who were working on the particle accelerator (Harrison Wells, Cisco Ramon, and Caitlin Snow), he learns how to use his powers to become a superhero. Good thing, too, since he’s not the only person who got superpowers in the explosion, and most of the other new “metahumans” in Central City put them to less than altruistic purposes. When he’s not chasing them down, The Flash works to find out what happened to his mother, woo his longtime crush Iris West, and, of course, fight the Big Bad of the season, who usually has similar powers to his own.
So why is this the best of the Arrowverse–and, in my opinion, the best CW show ever? Well, for one thing, out of all the live-action superhero stories I’ve seen, this is the one that best captures the comic book spirit. It makes absolutely no attempt to make its stories more “grounded” or “mature” than their source material, but instead does its best to embrace the wackiness at every opportunity. It’s got colourful costumes, goofy dialogue, giant psychic gorillas, convoluted time travel, parallel universes, and enough technobabble to make Spock’s head spin. There are big crossover events with the other shows in the Arrowverse (which tend to be hit or miss, thanks to those shows’ inferior nature). Every season ends with an epic finale, but along the way there are plenty of light-hearted episodes dealing with the metahuman of the week. There’s even a freaking musical episode!
That’s the first reason I got hooked on this show: it’s just so darn fun. The action is cool, there’s a good amount of humour sprinkled throughout, and most of the stories are campy and cheesy in the best possible way. What has kept me watching, though, even through some of the show’s less fun episodes, are the characters. Every member of the main cast is extremely likable in their own way. Barry himself is the kind of hero who will stop a bank robbery, give the would-be robber a heartfelt talk about how to change his life, and then re-paint someone’s garage on the way home. All while making awful speed puns. He’s a caring, optimistic hero who tends to inspire people both in- and out-of-universe. Of course, he struggles with his own set of flaws, mainly not thinking things through before doing them (a logical flaw for a speedster), but he usually manages to work through those things and emerge as a better person.
Then there’s the supporting cast: Detective Joe West, Barry’s loving, supportive father figure/Commissioner Gordon figure; Caitlin, the frosty-tempered but warm-hearted S.T.A.R. Labs team medic; Iris, who starts out pretty one-dimensional but eventually grows into a strong woman worthy of the Flash’s affection; and Harrison Wells, who is technically a different character every season because he keeps getting replaced by alternate-universe versions of himself. But whether he’s a wise mentor, a grumpy anti-hero, or the designated comic relief, he’s always entertaining thanks to Tom Cavanagh’s flexible acting skills. My personal favourite character, though, is Cisco. Not just because he’s the biggest nerd in an already nerdy cast (always an endearing trait), but because he is, if possible, even more principled and pure-hearted than Barry. He’s always quick with the jokes and one-liners, but he’s also perfectly capable of saving the day when he needs to. All these characters share a very heartwarming bond of friendship, proving over and over again that they’d do anything to help each other.
With occasional exceptions, the show also tends to have excellent villains. The Big Bads have, so far, always been evil speedsters with personal grudges against Barry, which did feel a tad repetitive by the third season, but each one still manages to be menacing in his own unique way. My least favourite is Season 2’s Zoom, because he got the least amount of characterisation, but even he wasn’t bad. The other two evil speedsters, the Reverse-Flash and Savitar, are equally great in my book. But there are plenty of memorable meta-of-the-week villains, too. The Trickster is the closest thing we’ll ever get to a live-action Mark Hamill Joker, and he even manages to make an epic Star Wars reference. Grodd is the aforementioned psychic gorilla, and while his CGI appearance sometimes leaves a bit to be desired, he’s still plenty intimidating. Then there’s the cool, sarcastic, morally conflicted Captain Cold, whom I love with all my heart, whether he’s fighting for or against Team Flash.
Of course, while it is a glorious DC comics show, The Flash is also a CW show, and it comes with many of the problems that that implies. There are far too many romantic subplots, and they take up far too much screen time. Lots of conflicts arise because the characters don’t communicate well enough, or make stupid decisions, or just happened to be written by someone who decided they should be arguing that day. The special effects are not exactly cinematic in quality, and neither are all of the supporting actors. But as someone who has watched more CW junk than she’d like to admit, I have to say that those flaws are much less noticeable in this show than in most of its fellows. The romance is annoying, but it never overtakes the main plot. The special effects aren’t perfect, but they’re far from terrible for TV. And some of the conflicts may be unnecessary, but at least they’re usually resolved within an episode or two rather than being dragged out through a whole season, as I’ve seen happen elsewhere.
I’ve heard some people say The Flash has gone downhill with each season. While I can understand why some might think that way–the repetitive story arcs, the more serious tone of Season 2, etc.–I’m not sure I agree. Yes, the first season is probably still my favourite, but that’s mostly because it was my first introduction to The Flash and his universe. Later seasons may have had similar Big Bads, but they also brought in more great characters, more development for existing characters, and, of course, more comic book wackiness. Season 3 also brought a significant change to the show, one that seems like an exceptionally bold move for the CW (though it has plenty of precedent in the comics). Of course, it could all be undone within the first few episodes of Season 4. For now, though, I maintain that The Flash, with all its flaws, is a thoroughly enjoyable show that brings several wonderful superheroes (and supervillains) to life.
If it keeps up this way, I’ll be running back to this show for years to come.
P.S. In case anyone was wondering about my opinions on the other shows in the Arrowverse, the short version is: Arrow’s pretty good for the first two seasons, then gradually becomes unwatchable by Season 4; I couldn’t finish the first season of Supergirl because it was preachy, overly political trash; Legends of Tomorrow is good whenever it focuses on characters who were introduced on The Flash. Also it has Rory Williams playing the Doctor, so there’s that.