Hold onto your Eggos, my friends! Stranger Things is back!
Stranger Things 2
Creators: Matt and Ross Duffer
Starring: Millie Bobby Brown, Winona Ryder, David Harbour, Noah Schnapp, etc.
Music By: Kyle Dixon and Michael Stein
(Warning: The following assumes you have seen Season 1 of Stranger Things. Spoilers may abound.)
Season 2 of the ridiculously popular Netflix show starts in October of 1984, about a year after the events of the first season. The Byers household is back together again, with Joyce dating a supremely normal guy named Bob, and Will getting some much-needed therapy. The group of kids we followed in the first season have moved on from their traumatic experiences enough to focus on the really important stuff: celebrating Halloween and impressing the new girl at school. But all of them have a few lingering emotional issues, especially Mike and Nancy, who are still mourning their lost friends. As promised by the trailers, Eleven is alive and well after her apparent heroic sacrifice in the season finale, but she’s still in hiding. And it seems that, even after surviving a weeks-long ordeal of hiding from monsters in a terrifying hell dimension, Will Byers still can’t catch a break. He’s having frequent visions of the Upside Down–visions that seem a little too real. Visions that include glimpses of a huge, shadowy presence who seems very interested in the people of Hawkins, Indiana. Visions that are increasingly reflected in the mysterious blight poisoning the town’s crops.
One of the many retro sci-fi classics that have influenced Stranger Things from the beginning is Alien. It’s where the creators got the idea to have people cocooned and impregnated by a monster in the first season, but the series also seems to have borrowed some of its atmosphere of suspense and dread, along with the idea of giving the audience just a few scant glimpses of the monster until the grand finale. Well, if Season 1 was Alien, Season 2 is Aliens. It’s much bigger in scope, with more monsters, more action, and more Paul Reiser (he plays the scientist who replaces Dr. Brenner at Hawkins Lab). People tend to be split over whether they prefer the creepy, suspenseful horror movie that was Alien, or the full-blown action thriller that was its sequel. I suspect there’ll be a similar rift in opinions regarding this series. The second season is a bit more fast-paced and epic in scope, uses more big-budget effects, and tries some new ideas–like a particularly controversial episode that takes place entirely outside Hawkins. Some people may take issue with the changes in tone and be disappointed with the new season.
But I’m more of an Aliens fan myself, and to me, this second season does everything a good sequel should do. It expands the world of the original, raises the stakes, and moves the characters forward, with better effects thrown in as a bonus.
Of course, this season is not perfect, any more than the first one was. The aforementioned controversial outside-Hawkins episode, while necessary to the overall story arc in my opinion, was placed in a rather odd spot considering what happens in the episodes immediately before and after it. And it contains a few annoying characters who I hope we’ll never hear from again. The season also spends more time than I would prefer on the ongoing love triangle between Nancy, Steve, and Jonathan. Outside that annoying subplot, Nancy and Jonathan are given less to do this season than before, which hurts both of their already less-than-strong characters. As for Steve…well, I’ll get to him later. Out of the characters introduced this season, the weakest is probably Max, the girl who moves to Hawkins with her step-brother in the first episode. She gets a few good moments in near the end, and her newcomer status creates some interesting situations with the boys, but for most of the season she seems to be there mainly so the group can have a new token girl.
My other complaints are pretty nit-picky, but they bugged me enough to mention. The larger budget for this season clearly allowed the creators to include more classic ’80s songs…but I think they went a little overboard including them in the soundtrack. I love classic rock as much as the next person, but if you use snippets of five different great songs within the first half hour of the first episode, the impact is greatly lessened. Also, a few other companies must have noticed the sales boost Eggo got from the first season, because the product placement is everywhere this time around. KFC and Three Musketeers candy bars practically get their own mini-commercials. It’s as annoying as it is inevitable.
Fortunately, all these flaws are overshadowed by the awesomeness of everything else in Season 2. I’m not quite sure where to begin, honestly, because everything about this story is so cool. First of all, the monster is ten times scarier this time around–not because it’s bigger, or scarier-looking, but because of what it can do. An extra-dimensional threat that can pop through your wall at any time is one thing; but an extra-dimensional threat that can send its evil essence to infect your world and your very soul, so gradually that you barely notice until it’s too late, is quite another. The army of mini-monsters it brings with it is just icing. There were hints of a larger supernatural world in the first season, but Season 2 is a straight-up cosmic horror story. My favourite kind!
But the monsters aren’t what make Stranger Things great. Neither is ’80s nostalgia, which is still present in spades this season. The heart of the story has always been about human interactions between the characters in the face of whatever threat they’re dealing with. And boy, does Season 2 give us some great character moments. We get to see a lot of new relationships between characters who didn’t really interact in the first season–like Dustin and Steve, who make a surprisingly awesome duo, and Chief Hopper and Eleven, who form a very touching (though complicated) father-daughter dynamic over the course of the season. And some characters who were a bit out of focus last year get much more development here. The best example is Will, who, despite driving most of the plot in the first season, barely got any screen time. That is more than remedied this season, as he once again drives the plot by becoming an unwilling conduit of the evil entering Hawkins. This means his actor, Noah Schnapp, finally gets to show off his acting chops–and it turns out he’s arguably the most talented in a cast full of amazing child performers. He delivers some of the most terrifying and heart-breaking moments in the season, and he pulls it off with a nuance plenty of adult actors would envy.
Then there are the characters we already knew were awesome, but who become more so in Season 2. Steve Harrington, the annoying jock everyone hated at the beginning of the series, has fully graduated to “lovable action hero” status. He’s still flawed, to be sure, but it’s quite clear that he’s working hard to leave his old, irresponsible ways behind. With the help of his trusty nail bat, of course. His is one of the better character arcs I’ve seen in a TV show. Dustin and Lucas are also a bit more in focus this season. We even get to see enough of their home lives to learn that Dustin’s adorableness came from his mom and Lucas’s little sister is a force to be reckoned with. Lucas, whose paranoia sometimes got on my nerves in the first season, becomes much more likable here, and Dustin, the voice of reason last year, makes a few more mistakes this time around. And yet, he remains adorable.
Then there are the new characters we’re introduced to this season. Out of these, the best by far is Bob Newby, Joyce’s new boyfriend. He’s automatically awesome because he’s played by Sam Gamgee, but he becomes even more so after we learn that he’s a lovable dork who makes dad jokes, tries hard to cheer up Will, and shows unexpected bravery and brains in the face of danger, despite not liking scary movies. On the opposite end of the spectrum is Billy, Max’s step-brother, who fills in the “horrible jock we love to hate” slot that was vacated by Steve’s decision to become a decent person. With his hideous mullet, casual racism, and tendency to beat up children for fun, it doesn’t look like he’ll be leaving that spot anytime soon. But with the Hawkins Lab scientists showing a bit less malevolence than they did before, he does an excellent job filling the role of the season’s human villain. Then there’s Kali, the person most responsible for expanding the show’s horizons this season. She may not be the strongest character Stranger Things has ever produced, but she does play a vital role in Eleven’s development, and I have to admit, I kind of like her style.
All these character arcs and relationships build into a finale that is both epic and very emotionally satisfying. I got pretty choked up a few times in the last episode, both in a happy way and a sad way. My only concern is that I’m not sure how a third season can top this one, especially with most of the loose ends from Season 1 tied up already. But the finale makes it clear the Upside Down still has a few tricks left up its sleeve. Let’s hope the writers do, too.
Until then, at least the two seasons we’ve got are “totally tubular.”